AjakSobatKeren 21 anda Nonton Film Beauty and the Beast (2017) dengan Subtitle Indonesia dan juga memberikan link Download Gratis. Sebelum anda Nonton Movie Sub Indo ini, Anda dapat melihat Trailer Filmnya terlebih dahulu. Dengan melihat Trailer film anda dapat memutuskan untuk tidak ke Bioskop akan tetapi bisa menikmati tontonan dengan Thorssonthe king is falling ill and wants to make a pilgrimage to an island cursed by Odin. The island is home to a horrible beast. His daughter, Freya is betrothed to Sven one of Thorsson's greatest warriors. Freya tries to get an army together to go back and save her father, Thorsson (whom she believes to be alive) however, no one will join DownloadFilm Beauty and the Beast (2017) Subtitle Indonesia | Download film tanpa iklan mengganggu seperti Indoxxi, LK21, Pahe.in, Dunia21, Bioskopkeren, Ganool, Mkvcage. Subtitle sudah menyatu dengan film (Softsub) "Jika di kotak download ada link subtitle, itu berarti film belum softsub. Jika tidak ada link subscene maka film sudah softsub" Vay Tiền Nhanh. You could say that the notion of turning beloved stories and characters into brands was invented by Walt Disney. He built his empire on the image of Mickey Mouse who made his debut in 1928, but Disney really patented the brand concept in 1955, with the launch of Disneyland, where kids could see old familiar characters — Mickey! Snow White! — in a completely different context, which made them new. Twenty-three years ago, the Broadway version of “Beauty and the Beast” followed three years later by the Broadway version of “The Lion King” introduced a different form of re-branding the stage-musical-based-on-an-animated-feature. Now the studio is introducing a cinematic cousin to that form with the deluxe new movie version of “Beauty and the Beast,” a $160 million live-action re-imagining of the 1991 Disney animated classic. It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia. There’s a lot riding on “Beauty and the Beast.” Given its sheer novelty value the live-action “Cinderella” released by Disney in 2015 wasn’t really cued to the 1950 cartoon version, the picture seems destined to score decisively at the box office. But the larger question hanging over it is How major — how paradigm-shifting — can this new form be? Is it a fad or a revolution? Disney already has a live-action “Lion King” in the works, but it remains to be seen whether transforming animated features into dramas with sets and actors can be an inspired, or essential, format for the future. Going into “Beauty and the Beast,” the sheer curiosity factor exerts a uniquely intense lure. Is the movie as transporting and witty a romantic fantasy as the animated original? Does it fall crucially short? Or is it in some ways better? The answer, at different points in the film, is yes to all three, but the bottom line is this The new “Beauty and the Beast” is a touching, eminently watchable, at times slightly awkward experience that justifies its existence yet never totally convinces you it’s a movie the world was waiting for. A good animated fairy tale is, of course, more than just a movie — it’s a whole universe. The form was invented by Disney eighty years ago, with “Snow White and the Seven Dwarfs” 1937, a film I still think has never been surpassed, and when you watch something as transporting as “Snow White” — or “Bambi,” or “Toy Story,” or “Beauty and the Beast” — every gesture and background and choreographed flourish, from the facial expressions to the drip-drop of water, flows together with a poetic unity. That’s the catchy miracle of great animation. When you watch the new “Beauty and the Beast,” you’re in a prosaic universe of dark and stormy sets, one that looks a lot like other stagy films you’ve seen. The visual design, especially in the Beast’s majestic curlicued castle, is gentrified gothic — Tim Burton de-quirked. At the beginning, when Belle Emma Watson walks out of her house and wanders through the village singing “Belle,” that lovely lyrical meet-the-day ode that mingles optimism with a yearning for something more, the shots and beats are all in place, the spirit is there, you can see within 15 seconds that Emma Watson has the perfect perky soulfulness to bring your dream of Belle to life — and still, the number feels like something out of one of those overly bustling big-screen musicals from the late ’60s that helped to bury the studio system. It’s not that the director, Bill Condon “Dreamgirls,” “The Twilight Saga”, does anything too clunky or square. It’s that the material loses its slapstick spryness when it’s not animated. The sequence isn’t bad, it’s just…standard. That’s true of most of the first part of the movie, right up until the point when Belle rescues her kindly inventor father, Maurice Kevin Kline, from the Beast’s castle — where he’s being held prisoner for having assaulted a flower — by trading places with him. Belle, a wistful bookworm, is the odd girl out in her village, and she has already brushed off several encounters with Gaston Luke Evans, the duplicitous hunk who became a new Disney archetype in “Frozen,” etc. the handsome, big-chinned, icky monomaniacal two-faced suitor. On first meeting, however, the Beast seems nearly as dark. He’s a prince who was cursed and turned into a monster for having no love in him, and the best thing about the movie — as well as its biggest divergence from the animated version — is that he’s a strikingly downbeat character, a petulant and morose romantic trapped in a body that makes him feel nothing less than doomed. He’s played by Dan Stevens, a British actor who out of makeup looks like a bland version of Ryan Gosling, but the makeup and effects artists have done an extraordinary job of transforming him into a hairy hulking figure with ram horns, the face of a saddened lion having an existential meltdown, and the voice of Darth Vader channeling Hugh Grant. Visually, the characterization makes a nod to the scowling-eyed Beast from Jean Cocteau’s immortal “Beauty and the Beast” 1946, but he also comes off as a kind of royal version of the Elephant Man a melancholy freak trapped in solitude. I loved that for a good long while, he’s a bit of a hard-ass, a man-creature who doesn’t dare to think that Belle could love him. But then, under her gaze, he begins to soften, and his transformation is touching in a more adult way than it was in the animated version. The romance there was benign; here, it’s alive with forlorn longing. Which is to say, the new “Beauty and the Beast” is not as kid-friendly a movie. It tries to be in certain sequences, notably those featuring Lumière the candelabra voiced by Ewan McGregor, Cogsworth the pendulum clock Ian McKellen, and Garderobe the wardrobe Audra McDonald — all of whom are basically tactile, live-action animated characters. The “Be Our Guest” musical number scrupulously revives the dancing-plate surreal exuberance of the original, but there the frenetic nuttiness was exquisite. Here it tips between exhilarating and exhausting, because you can feel the special-effects heavy lifting that went into it. I keep comparing “Beauty and the Beast” to the animated version, which raises a question Is that what we’re supposed to be doing? Or should the film simply stand on its own? The movie wants to have it both ways, but then, that’s the contradictory metaphysic of reboot culture We’re drawn in to see the old thing…but we want it to be new. The live-action “Beauty and the Beast” is different enough, and certainly, if you’ve never experienced the cartoon, it’s strong enough to stand on its own. Josh Gad, incidentally, plays Gaston’s worshipful stooge Le Fou as maximally silly and fawning, but I must have missed the memo where that spells “gay.” Yet it’s not really that simple, is it? The larger fantasy promoted by a movie like this one is that we’ll somehow see an animated feature “come to life.” And that may be a dream of re-branding — shared by studio and audience alike — that carries an element of creative folly. Animation, at its greatest, is already a glorious imitation of life. It’s not clear that audiences need an imitation of the imitation. Be our guest and look back at EW's coverage of the live-action retelling before it opens in theaters this weekend Each product we feature has been independently selected and reviewed by our editorial team. If you make a purchase using the links included, we may earn commission. It's been more than 25 years since the debut of Disney's animated Beauty and the Beast, but Emma Watson now steps into Belle's shoes in the live-action adaptation, in theaters this weekend. It's "a tale as old as time," but with a few nuances. Belle, a young woman and outsider of her small, provincial town, meets a prince cursed into a monstrous form by a witch. A mix of live-action and CGI performances, Beauty and the Beast features an massive ensemble with Dan Stevens, Luke Evans, Josh Gad, Ian McKellen, Ewan McGregor, Kevin Kline, Stanley Tucci, Emma Thompson, and Audra McDonald. For anyone holding off on spoilers or wanting to learn more about the behind-the-scenes Disney magic, here's a recap of EW's continuing coverage of the latest live-action fairytale. Beauty And The Beast GIF - Find & Share on GIPHY Subscribe now to receive Entertainment Weekly's The Ultimate Guide to Beauty and The Beast special issue, featuring the casts and creators of the new film and the animated classic, free with your order. EW’s Beauty and the Beast review, by Chris Nashawaty "Directed by movie-musical veteran Bill Condon Dreamgirls and the script for Chicago, Beauty and the Beast is a movie that can't quite figure out what it wants to say that it didn't already say back in 1991," Nashawaty writes. But that doesn't mean the film is void of joy. Watson "is certainly one of the film's stronger elements" who, "it turns out, can sing." Beauty And The Beast GIF - Find & Share on GIPHY EW’s first look cover story, by Clark Collis EW premiered the first look at the cast with a behind-the-scenes investigation of Beauty and the Beast, complete with secrets from the set. Beauty and the Beast On the Cover of EW Emma Watson gives Belle a new backstory The Disney princess is no longer a damsel in distress. The star of the film talks about bringing more of an inventor background to the library-loving character. Image How Disney recreated Belle’s yellow dress We all know the scene Belle, twirling in a yellow gown, dances with the Beast in a shimmering ballroom to the song "Beauty and the Beast." Watson remarked of the moment, "It really tells the story of Beast and Belle falling in love." BEAUTY AND THE BEAST A guide to the new songs In addition to compositions from the original movie musical, the film incorporated original pieces from composer Alan Menken "For Evermore," "Our Song Lives On," and "Days in the Sun." Beauty And The Beast GIF - Find & Share on GIPHY Emma Watson on bringing a fearless edge to Belle In EW's recent cover story, the actress and director Bill Condon tell EW about how Belle's quiet village views her inquisitive mind as a threat. "They don't think women should read and it goes further than that," she said. "They are deeply suspicious of intelligence." ew1454_55cvr_promo Credit Kerry Hallihan for EW On the “Stockholm Syndrome” element of the original story Watson defended the live-action remake against criticism surrounding Belle's relationship with the Beast. "It's such a good question and it's something I really grappled with at the beginning," she said. Beauty And The Beast GIF - Find & Share on GIPHY LeFou's "gay moment" A backlash ensued over Disney's first openly gay character in a film Josh Gad's LeFou. Condon said the moment was "overblown," McGregor defended the choice in an interview on The Late Show. BEAUTY AND THE BEAST Credit Laurie Sparham/Disney A dissection of the film’s gay character EW's Anthony Breznican penned a thoughtful essay from a father's perspective on LeFou's character progression. null Credit Laurie Sparham/Disney Crack open EW’s special edition issue for Beauty and the Beast Check out exclusive behind-the-scenes images from the London set — from Belle's hometown to the Beast's castle and the wolf-riddled woods. Beauty And The Beast GIF - Find & Share on GIPHY Alan Menken returns to the musical realm of the film The legendary movie composer Aladdin, The Little Mermaid, Pocahontas, and more looks back to one of his most renowned achievements in EW's Ultimate Guide to Beauty and the Beast. Beauty And The Beast GIF - Find & Share on GIPHY Behind the music Want to know how such iconic tunes, like "Gaston" and "Be Our Guest," came to be? Find out from Menken himself. Beauty And The Beast GIF - Find & Share on GIPHY An oral history of the original Beauty and the Beast Find out how the film started out with a 20-minute reel about Belle with her angry aunt, cat, and little sister. Plus, there wasn't any music. Yeah, Disney didn't go for that concept, either. Beauty And The Beast GIF - Find & Share on GIPHY Bill Condon on the new Beauty and the Beast It may be a story we've heard before, but there's still more to say. Condon writes about his experience looking to 1932's Love Me Tonight and breathing new life into a Disney hallmark. BEAUTY AND THE BEAST Credit Laurie Sparham/Disney Inside the filming of "Be Our Guest" "Be Our Guest" is one of the most iconic Disney moments of all time. So, no pressure recreating it again decades later. "It's a four-minute number that cost more than Mr. Holmes's entire budget," Condon dished. be-our-guest Beauty and the Beast 2017 type Movie mpaa runtime 129 minutes director Bill Condon Beauty and the Beast - watch online streaming, buy or rentCurrently you are able to watch "Beauty and the Beast" streaming on Disney Plus. It is also possible to buy "Beauty and the Beast" on Google Play Movies, YouTube, Amazon Video, Apple TV, Microsoft Store, Cineplex as download or rent it on Google Play Movies, Cineplex, Microsoft Store, YouTube, Amazon Video online.

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